missybluesblog

A film review by Christopher Null - Copyright © 2001 Filmcritic.com

If Woody Harrelson is a journalist, then upbraiding, I'm Woody Harrelson.
Welcome to Sarajevo
is supposed to be a touching look at a party of unconnected correspondents who get so caught up in the controversy in Yugoslavia that they danger everything to recover a single girl and take her in arrears to civilization. While it's based on a true story, it seems every coat that even mentions Bosnia has the exact same arc. (And if I see another mopey character who has lost his helpmeet and daughter in a random shooting, I'll caterwaul.) And

Sarajevo

is so morose — consisting of a series of hunger, teeming scenes wherein the locals mutter under their breath in smashed English — it's hard to get past the fairly cookie-cutter organize. In fact, it's distinct to keep your attention from wandering widely, wondering if it might be far too soon to hyperbolize a movie about Bosnia when the variance there Non-Standard real isn't even over.

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